crypticdatesuggestions:

Date the being from the liminal spaces. Spend hours sitting in gas stations, waiting rooms, and train stations, talking to them, and watching the elder gods and lost spirits passing through. Kiss them under a single street light on an abandoned highway. Hold their hand, and feel space and time fall away in these semi-existent places.

gargoyle-zoo:

ayellowbirds:

monstersdownthepath:

vonbaghager:

A faerie introduces himself. Then, holding out a hand, asks, “And your name, please?”

And, like a fool, you give it to him.

I got asked for clarification on this (but can’t reblog that particular post cuz on mobile), which I’m more than happy to provide.

In this post, a faerie is asking for ‘your’ name. The way he is wording it, however, and the accompanying beckoning motion, makes it seem as though he is asking for you to physically hand your name over. Which, because of how some faeries operate, he is.

In this instance, saying your name aloud to the fae would be literally giving your name over to him, the exact consequences of which are left up to the imagination–usually, a fae even knowing your name gives it some measure of power over you, but giving something your name would likely let it completely take over your life.

In this instance, the wording you want to use is something like “I will not give you my name, but I will tell you that it’s [name].” Alternately, you can just lie to him.

Might i suggest the less direct yet still name-preserving “you may call me…”? It dodges the request while still giving an answer of a name, which does not even have to be yours, but any name you feel like telling the fae they can use to refer to you. I would recommend “Ainsel”.

@elsewhereuniversity

Power move: Take his hand, shake it, and say “Call me Ishmael”

penfairy:

one thing me n my art loving gf would do is visit galleries and play a game called “root, loot or boot” 

the gist is that you would look at a group of paintings in a room and decide which figure in the painting you’d root (fuck, in Australian slang), which painting you’d loot (steal and put on your wall at home) and which painting you’d boot (punt into the garbage because it’s shit and Not Art)

a couple of things about my experiences:

1. this game is a lot more fun if you’re attracted to women because there’s so many Hot Gals to choose from 

2. if you are attracted to men, you will spend a lot of time going “well, looks like I’ll have to pick jesus again” as my bi gf did

3. it gets more complicated in modern art museums and you find yourself having saying, “I’d fuck the rhombus” “you CAN’T fuck the rhombus” “then I’ll fuck that blue squiggle thing. what’s it called?” “creeping existential dread in blue” “then does that mean I’m fucking the squiggle or am I getting fucked by the existential dread it represents?” “aren’t we all already getting fucked by existential dread?”

4. if you play this with an art history nerd, they may decide to kill you over one of your “boot” choices

5. you will get Disapproving Looks from other patrons who overhear your heated debates

6. it’s also the best fun you’ll ever have in an art gallery

onna-musha:

“Takiyasha-hime” (1884), Yôshû Chikanobu (1838-1912)

The witch and warrior Takiyasha-hime (demon princess of the waterfall) is depicted carrying a sword and a bell. The inset shows her familiar, the toad. Daughter of Taira no Masakado, a rebel who tried to overthrow the emperor, legends pretend that she lived in a ruined palace, plotting revenge for her father, with both curses and weapons. However, a warrior was sent to defeat her. Takiyasha-hime then made an impressive display of her magic, summoning a gashadokuro (giant skeleton). However, the witch was finally defeated. A popular story of Japanese folklore, Takiyasha-hime is often represented on woodblock prints and in kabuki plays.