Author: thenanorain

momoconteng:

merrypaws:

isei-silva:

fishwrites:

g-r-i-m-a:

g-r-i-m-a:

I discovered something useful today, taking breaks or exercising never helps me but THIS does, sharing to save a life

I just found out that some pro artists that work for companies like Dreamworks etc sometimes hold their pens this or similar way so it gotta work. Recently I spent 5 days on drawing for long periods of time (we talk about min 5 hours in one go to max 12 hours long crunch) and not once did my hand bother me.

For any artist friendos ???

SAVE A (HAND’S) LIFE

@momochanners have you heard of this?

I haven’t busted my hand with art yet, but the day might come…

Thanks for the tip! Yeah, this is also one way to lessen the repetitive stress on that particular hand muscle, but it will take practice to gain precision when switching to that finger.

bylacey:

danekez:

bylacey:

Here’s an exercise! I cannot draw cars well. I don’t like drawing cars. 

The first sketch was from memory without looking at any photos of a car. The second was traced from a photo of a car. The third, without looking at any photos or previous sketches. I still can’t draw cars very well but a bit more about what they look like are embedded in my memory. :>

Tracing is a wonderful way to practice. This works for more than just machines, if you trace something then it helps you learn how it FEELS to draw something accurately, which gives you the freedom to experiment, exaggerate, and stylize your art without sacrificing structure and recognizeability.

I get a lot of compliments on the way I draw muscular people. If I had not gone through a phase of tracing models then I would not have learned how it FEELS to draw proportional muscles. It greatly improved my art in the long term, and now when I use reference photos I find that it’s easier for me to make sense of what I’m looking at.

yiss